Il Duce's Match
Rome, summer 1940. Mussolini attempted to impress the Americans
with his tennis and to retain control by penning every headline printed ...
Your serve was never great – often out of control,
every other ball would soar so high and plummet
to the ground, whistling as quietly as a bomb,
the fatal one they say you hear or is it never hear . . .
I remember how time after time, I willed it to go right,
for you to push ball over net with the softness
and precision of a kitten, the relief
and reddening, as three turned into four o'clock,
flagging opposite streams of young diplomats –
all important friendships wooed across those warm weeks –
to entertain the Yanks, to master tennis:
that summer's most popular and most fashionable
invented game. Our shaded court, the heavy air,
applause on cue. Let. The ball splicing over,
as close a call as those I would wake to,
listening from our huge white bed, to you
only your shadow visible on the cool of the black marble floor
as I resisted the start of each day – content to lie
and listen to the sound of your beauty regime:
straining to reach the very back of the head
you shaved entirely the day you blushed
to find your hair receding – a soft low curse
and caught flesh, those little red flecks of error
that in all those hundreds of posed pictures never
showed up. Prediletto, I think, even now, of how
you would wake worrying from the dream
in which you forgot to shave your head,
love fifteen, were late at your desk, and a headline
and you couldn't find an umpire to lie, love forty,
and make decisions, thirty love, at which those lithe American boys
would shake their heads, forty love, and frown, game, set, match,
and Pimms, all the latest, necessary fads,
looking from under my broad rimmed expensive hat,
on their gold tanned flesh . . .
even now of what you – dead, defeated
and gone – said you always knew:
that it's the details – piccolo, minuscolo –
and the split seconds between serves, that shot
that you almost, but not quite, got,
the sun in your eyes, the all important present or absent
is not black and white, but colour –
so that the blood shows up – those minute nicks that through
un-remembering sleep, some mornings, I still reach to kiss.



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