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Home » Books » Books Out of Print » Books of Television Criticism » Visions Before Midnight

Likely Lads

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    • Collections of Essays
    • Books of Television Criticism
      • On Television: Introduction
      • Glued to the Box
      • Visions Before Midnight
        • Preface to the Cape Edition
        • Preface to the Picador Edition
        • Auntie goes to Munich
        • Storm over England
        • Overture to "War and Peace"
        • Tolstoy makes Television History
        • Blue-bloods on parade
        • Squire Hadleigh
        • Drained crystals
        • Anne and Mark get married
        • Just call me 'Captain'
        • Earthshrinker
        • The bending of the spoons
        • More like it
        • Knickers
        • Liberating Miss World
        • A Living Legend
        • Likely Lads
        • Nixon on the skids
        • Harry Commentator
        • Squire Hadleigh
        • Edie Waring Communicates
        • Kinds of Freedom
        • A pound of flash
        • Hermie
        • Fortune is a woman
        • What Katy did
        • Noddy gets it on
        • Wisdom of the East
        • Why Viola, thou art updated
        • Hi! I'm Liza
        • Exit Tricky Dick
        • Hot lolly
        • Rough justice
        • Bob's wonderful machines
        • The Hawk walks
        • Lord Longford rides again
        • Pink predominates
        • Chopin snuffs it
        • Mission Unspeakable
        • The Turkey in Winter
        • Thatcher takes command
        • The higher trash
        • Killer ants
        • Unintelligibühl
        • Cant-struck
        • Hoggart on class
        • Larger than life
        • March of the androids
        • Onward to Montreal
        • Solzhenitsyn warns the West
        • Standing at the window
        • The QB VII travesty
      • The Crystal Bucket
    • Other Non-Fiction

Sequels are rarely as strong as the originals, but Whatever Happened to the Likely Lads? (BBC1) is currently breaking the rule. The lines are acted out with engaging clumsiness by Rodney Bewes as Bob and James Bolam as Terry. With his large featureless head, Bob is the perfect visual complement for Terry, who has a small set of headless features: the chums can fluff, miss cues and just plain forget without even once looking like strangers to each other. But it's the writing that stars: Dick Clement and Ian la Frenais are plainly having a wonderful time raiding their own memories. Rilke once said that no true poet minds going to jail, since it leaves him alone to plunder his treasure-house. Writing this series must be the next best thing to being slung in the chokey.

Back from the forces, Terry has spent the last couple of months trying to pull the birds. Bob, however, is on the verge of the ultimate step with the dreaded Thelma, and last week felt obliged to get rid of his boyhood encumbrances. Out of old tea-chests came the golden stuff: Dinky toys, Rupert and Picturegoer Annuals, all the frisson-inducing junk that Thelma would never let weigh down the shelf-units. 'I need these for reference,' whined Bob, with his arms full of cardboard-covered books: There were Buddy Holly 78s — never called singles in those days, as Terry observed with the fanatical pedantry typical of the show. Obviously Bob will have a terrible time with Thelma.

Just as obviously his friendship with Terry will never cease: Damon and Pythias, Castor and Pollux, perhaps even Butch and Sundance, but never — not in a million years — Alias Smith and Jones (BBC2), which is typical American TV in that the buddies have no past.

11 March, 1972­

 

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