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      • The Question of Karl Kraus
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      • Canetti Man of Mystery
      • Camille Paglia Burns for Poetry
      • The Guidebook Detectives
      • Zuckerman Uncorked
      • The Flight from the Destroyer
      • Saying Famous Things
      • Insult to the Language
      • The Perfectly Bad Sentence
      • Happiness Writes White
      • All Stalkers Kill
      • Best Eaten Cold
      • White Shorts of Leni Reifenstahl
      • Made in Britain, More or Less
      • Movie Criticism in America
      • Show Me the Horror
      • The Measure of A.D. Hope
      • Robert Hughes Remembers
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      • Pat Kavanagh
      • Starting with Sludge
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        • To Russell Davies: a letter from Cardiff
        • To Martin Amis: a letter from Indianapolis
        • To Pete Atkin: a letter from Paris
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        • To Peter Porter: a letter to Sydney
    • Epic Poems >
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Home>>Essays>>Guest Writers>>Marina Hyde

Marina Hyde

Picture
Marina Hyde is an Oxford graduate who now writes the kind of journalism that would have given her tutor a heart attack. She started her London career as a secretary on the Sun's show-business desk, and even after her transfer to the Guardian, where she currently writes three columns a week, she retained her detailed interest in the trivia of the celebrity culture. Her writings on politics show her seriousness and her writings on sport show her adventurous range, but her column "Lost in Showbiz", in my opinion, shows her at her most original. 
Very few writers who know that much about the fundamentally worthless are capable of being funny about it. She digs down fearlessly through the strata of the negligible and finds the underlying ephemerality. What makes this fantastic voyage worthwhile is her gift for conveying a moral view through the precision of her rhythmic prose, which depends on a complete control of syntax. ("Suffering almost unimaginably for his art comes Sir Ben Kingsley...") She has the knack, highly schooled in her case, of bringing everything in and making it fit the form: bric-a-brac castles. Admiring students should not imagine that they can do the same just by lightening up. It takes a feeling for the serious to treat what doesn't matter as if it mattered. The first seven links on the right lead to a string of pieces written in late 2005, when "Lost in Showbiz" found its unique and enviable tone. Further links to more recent pieces have since been added in response to sobbing cries of “More Marina!” from desperate fans.

  • Do Not Resuscitate
  • Celebrity Rehab
  • Fame knows no Bounds
  • A Little Piece of Fame
  • Move Over Milton
  • Rich Pickings
  • In the Frame
  • Pete Doherty Paints
  • Virtual Illusion
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  • Home
    • Archive
  • Author
    • Profiles >
      • The Texture of Reality
  • Books
    • The Fire Of Joy
    • Unreliable Memoirs
    • Falling Towards England
    • May Week Was In June
    • North Face of Soho
    • The Blaze of Obscurity
    • Latest Readings
    • Cultural Amnesia
    • Play All
    • A Point Of View
    • Flying Visits
  • Essays
    • Visions Before Midnight
    • The Crystal Bucket
    • Glued To The Box
    • The Metropolitan Critic
    • At the Pillars of Hercules
    • As of This Writing
    • The Meaning of Recognition >
      • Introduction
      • Polanski and the Pianist
      • Fantasy in the West Wing
      • Pushkin's Deadly Gift
      • Great Sopranos of Our Time
      • A Memory Called Malouf
      • Bing Crosby's Hidden Art
      • Larkin Treads the Boards
      • The Iron Capital of Bruno Schulz
      • Criticism a la Frank Kermode
      • Fast Talking Dames
      • Rough Guides to Shakespeare
      • General Election Sequence 2001
      • Primo Levi and the Painted Veil
      • A Big Boutique of Australian Essays
      • Cyrano on the Scaffold
      • A Nightclub in Bali
      • Aldous Huxley Then and Now
      • A Man Called Peter Porter
      • Philip Roth's Alternative America
      • The Miraculous Vineyard of Australian Poetry
      • Save Us From Celebrity
    • The Revolt of the Pendulum >
      • The Question of Karl Kraus
      • John Bayley's Daily Bread
      • Kingsley and the Women
      • Canetti Man of Mystery
      • Camille Paglia Burns for Poetry
      • The Guidebook Detectives
      • Zuckerman Uncorked
      • The Flight from the Destroyer
      • Saying Famous Things
      • Insult to the Language
      • The Perfectly Bad Sentence
      • Happiness Writes White
      • All Stalkers Kill
      • Best Eaten Cold
      • White Shorts of Leni Reifenstahl
      • Made in Britain, More or Less
      • Movie Criticism in America
      • Show Me the Horror
      • The Measure of A.D. Hope
      • Robert Hughes Remembers
      • Modern Australian Painting
      • On Diamond Jim McClelland
      • The Voice of John Anderson
      • Niki Lauda Wins Going Slowly
      • Damon Hill's Bravest Day
      • Jonathan James-Moore
      • Ian Adam
      • Pat Kavanagh
      • Starting with Sludge
    • Guest Writers >
      • Zoe Williams
      • Russell Davies
      • Bryan Appleyard
      • Marina Hyde
      • Bruce Beresford
      • Michael Frayn
  • Poetry
    • Poetry Collections >
      • Injury Time
      • Sentenced to Life >
        • Japanese Maple
        • Sentenced to Life
        • Procedure for Disposal
        • Leçons des ténèbres
        • Driftwood Houses
        • Event Horizon
        • Neuland
        • Echo Point
        • Change of Domicile
        • Holding Court
        • Too Much Light
        • Nature Programme
        • My Latest Fever
        • Nina Kogan's Geometrical Heaven
        • The Emperor's Last Words
        • Winter Plums
      • Nefertiti in the Flak Tower >
        • Whitman and the Moth
        • The Falcon Growing Old
      • Angels over Elsinore
      • The Book of My Enemy >
        • Recent Verse
        • Verse Letters
      • Opal Sunset
      • Other Passports >
        • Recent Verse >
          • The Book of My Enemy has been Remaindered
        • Parodies etc.
        • Earlier Verse
        • Verse Diaries
      • Fan Mail >
        • To Russell Davies: a letter from Cardiff
        • To Martin Amis: a letter from Indianapolis
        • To Pete Atkin: a letter from Paris
        • To Prue Shaw: a letter from Cambridge
        • To Tom Stoppard: a letter from London
        • To Peter Porter: a letter to Sydney
    • Epic Poems >
      • The River in the Sky
      • Gate of Lilacs
      • The Divine Comedy >
        • Hell - Cantos 1-3
        • Purgatory - Cantos 1-3
        • Heaven - Cantos 1-3
      • Poem of the Year
    • Books About Poetry >
      • Somewhere Becoming Rain
      • Poetry Notebook >
        • Listening for the Flavour
        • Five Favourite Poetry Books
        • Velvet Shackles
        • Meeting MacNiece
        • The Donaghy Negotiation
    • Poetry Readings
    • Articles on Poetry
    • Back from The Web
    • Guest Poets >
      • Daniel Brown
      • Liane Strauss
      • Les Murray
      • Peter Porter
      • Alan Jenkins
      • Stephen Edgar
      • John Stammers
      • Simon Barraclough
      • Isobel Dixon
      • Christian Wiman
      • Olivia Cole
      • Judith Beveridge
      • Peter Goldsworthy
      • Kapka Kassabova
  • Lyrics
    • My life in lyrics
    • Selected Song Lyrics >
      • Dancing Master
      • Faded Mansion
      • Have You got a Biro I can Borrow?
      • I Have to Learn to Live Alone Again
      • Hill of Little Shoes
      • History & Geography
      • I See the Joker
      • Laughing Boy
      • My Brother's Keeper
      • National Steel
      • Nothing Left to Say
      • Sessionman's Blues
      • Song for Rita
      • Stranger in Town
      • Sunlight Gate
      • The Egoist
      • The Eye of the Universe
      • The Ice Cream Man
      • Femme Fatale
      • The Master of the Revels
      • Thirty-year Man
      • Winter Spring
  • Video
    • Talking in the Library >
      • Series One
      • Series Two
      • Series Three
      • Series Four
      • Series Five
    • Postcards
    • CJ on YouTube
  • Radio
    • A Point Of View
    • Book Talk