Clive james
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    • The Meaning of Recognition >
      • Introduction
      • Polanski and the Pianist
      • Fantasy in the West Wing
      • Pushkin's Deadly Gift
      • Great Sopranos of Our Time
      • A Memory Called Malouf
      • Bing Crosby's Hidden Art
      • Larkin Treads the Boards
      • The Iron Capital of Bruno Schulz
      • Criticism a la Frank Kermode
      • Fast Talking Dames
      • Rough Guides to Shakespeare
      • General Election Sequence 2001
      • Primo Levi and the Painted Veil
      • A Big Boutique of Australian Essays
      • Cyrano on the Scaffold
      • A Nightclub in Bali
      • Aldous Huxley Then and Now
      • A Man Called Peter Porter
      • Philip Roth's Alternative America
      • The Miraculous Vineyard of Australian Poetry
      • Save Us From Celebrity
    • The Revolt of the Pendulum >
      • The Question of Karl Kraus
      • John Bayley's Daily Bread
      • Kingsley and the Women
      • Canetti Man of Mystery
      • Camille Paglia Burns for Poetry
      • The Guidebook Detectives
      • Zuckerman Uncorked
      • The Flight from the Destroyer
      • Saying Famous Things
      • Insult to the Language
      • The Perfectly Bad Sentence
      • Happiness Writes White
      • All Stalkers Kill
      • Best Eaten Cold
      • White Shorts of Leni Reifenstahl
      • Made in Britain, More or Less
      • Movie Criticism in America
      • Show Me the Horror
      • The Measure of A.D. Hope
      • Robert Hughes Remembers
      • Modern Australian Painting
      • On Diamond Jim McClelland
      • The Voice of John Anderson
      • Niki Lauda Wins Going Slowly
      • Damon Hill's Bravest Day
      • Jonathan James-Moore
      • Ian Adam
      • Pat Kavanagh
      • Starting with Sludge
    • Guest Writers >
      • Zoe Williams
      • Russell Davies
      • Bryan Appleyard
      • Marina Hyde
      • Bruce Beresford
      • Michael Frayn
  • Poetry
    • Poetry Collections >
      • Injury Time
      • Sentenced to Life >
        • Japanese Maple
        • Sentenced to Life
        • Procedure for Disposal
        • Leçons des ténèbres
        • Driftwood Houses
        • Event Horizon
        • Neuland
        • Echo Point
        • Change of Domicile
        • Holding Court
        • Too Much Light
        • Nature Programme
        • My Latest Fever
        • Nina Kogan's Geometrical Heaven
        • The Emperor's Last Words
        • Winter Plums
      • Nefertiti in the Flak Tower >
        • Whitman and the Moth
        • The Falcon Growing Old
      • Angels over Elsinore
      • The Book of My Enemy >
        • Recent Verse
        • Verse Letters
      • Opal Sunset
      • Other Passports >
        • Recent Verse >
          • The Book of My Enemy has been Remaindered
        • Parodies etc.
        • Earlier Verse
        • Verse Diaries
      • Fan Mail >
        • To Russell Davies: a letter from Cardiff
        • To Martin Amis: a letter from Indianapolis
        • To Pete Atkin: a letter from Paris
        • To Prue Shaw: a letter from Cambridge
        • To Tom Stoppard: a letter from London
        • To Peter Porter: a letter to Sydney
    • Epic Poems >
      • The River in the Sky
      • Gate of Lilacs
      • The Divine Comedy >
        • Hell - Cantos 1-3
        • Purgatory - Cantos 1-3
        • Heaven - Cantos 1-3
      • Poem of the Year
    • Books About Poetry >
      • Somewhere Becoming Rain
      • Poetry Notebook >
        • Listening for the Flavour
        • Five Favourite Poetry Books
        • Velvet Shackles
        • Meeting MacNiece
        • The Donaghy Negotiation
    • Poetry Readings
    • Articles on Poetry
    • Back from The Web
    • Guest Poets >
      • Daniel Brown
      • Liane Strauss
      • Les Murray
      • Peter Porter
      • Alan Jenkins
      • Stephen Edgar
      • John Stammers
      • Simon Barraclough
      • Isobel Dixon
      • Christian Wiman
      • Olivia Cole
      • Judith Beveridge
      • Peter Goldsworthy
      • Kapka Kassabova
  • Lyrics
    • My life in lyrics
    • Selected Song Lyrics >
      • Dancing Master
      • Faded Mansion
      • Have You got a Biro I can Borrow?
      • I Have to Learn to Live Alone Again
      • Hill of Little Shoes
      • History & Geography
      • I See the Joker
      • Laughing Boy
      • My Brother's Keeper
      • National Steel
      • Nothing Left to Say
      • Sessionman's Blues
      • Song for Rita
      • Stranger in Town
      • Sunlight Gate
      • The Egoist
      • The Eye of the Universe
      • The Ice Cream Man
      • Femme Fatale
      • The Master of the Revels
      • Thirty-year Man
      • Winter Spring
  • Video
    • Talking in the Library >
      • Series One
      • Series Two
      • Series Three
      • Series Four
      • Series Five
    • Postcards
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Talking in the Library - Series Four

Stephen Bayley

Stephen Bayley is the British design guru who takes his vision of industrial creativity into the realm of aesthetics. He isn't automatically convinced by the next twist of fashion in interior decorating and if he doesn't like some overpriced maniac's latest brainwave in moulded plastic furniture he may try to attack it with a road drill. On the other hand nobody is more susceptible to the functional beauty of aircraft and automobiles, a passion I share with him, although he has a sympathy with Detroit-style stylistic extravagance that can sometimes worry me almost as much as my random selection of socks must worry him. I already found him admirable before he walked off the job of filling Britain's ill-fated Millennium Dome, on the grounds that somebody should have figured out what the thing was for before it was put up. He has the knack of getting in ahead of everybody with values that turn out to be permanent. The only problem is to slow him down.

Richard E. Grant

Richard E. Grant became everybody's favourite British upmarket eccentric actor as the tall one in Withnail and I. Even Hollywood could tell he was from Britain. He was in fact from Swaziland, but that made him more Empire than anybody. Secretly powering his gift for droll comedy was a deep sense of personal unease stemming from his childhood. The story began to surface in his first book of diaries — With Nails — and in his novel about Hollywood By Design. Both books were disturbingly well written if you happened to be a writer. But the full story came out, and his writing reached even deeper, with the script for the movie he directed, Wah Wah. His book of the movie, The Wah Wah Diaries, is a real contribution to the vexed subject of imperial twilight, as well as being a deliciously entertaining account of a movie on the brink of disaster. The average film star is an ego on the loose. So is the average writer. Put them together and what do you get?

Michael Frayn

Michael Frayn rules at the pinnacle of the unclassifiable. When he writes a book of philosophy, he is a philosopher; when he writes a play, he is a playwright; when he writes a novel, he a novelist. In every category he is somebody’s favourite among modern writers, but what unites his work across all the categories is a linguistic fastidiousness simultaneously both poetic and critical. People who praise him in such solemn terms, however, are in danger of being reminded that he is also a master of comedy. He has been quietly scaring the vests off his generation of writers since he first proved how much he had to burn with his Guardian column in the early 1960s. From Cambridge and national Service he seemed to arrive at the peak of Fleet Street by rocket. After a detour into television he became such a permanent force in the theatre that by now a new Frayn play seems always ready to succeed another, and its subject will illuminate a whole modern historical area when it isn't a knock-down drag-out farce. Can an ordinary man live with the uncertainty of quantum mechanics? Can a physicist retain his trousers? Such questions intermingle also in his novels, which arrive either between, or simultaneously with, the plays.

Posy Simmonds

Posy Simmonds is to the top-of-the-range British comic strip what Gary Trudeau is to the American equivalent: the exalted benchmark. But Posy's world is a long way from Doonesbury, and far closer to Bloomsbury, although she would be quick to point out that she's more interested in the socially aspiring than in the socially secure. The British genteel would-be intelligentsia, with all its nervous self-confidence and all its lonely self-doubt, is one of her best areas. Her knack for overheard dialogue has led some scientists to contend that her ears revolve and go beep-beep. But perhaps I, like so many writers, praise her words because we don't know how to praise her pictures. Her uncanny graphic skill, with whole states of mind conveyed by a dot and a stroke, is beyond us. How does she do that?

Ronald Harwood

Ronald Harwood came from South Africa to be an actor in London. After a voice-lift at RADA he ended up dressing an actor, Sir Donal Wolfit, and Harwood's play about that experience, The Dresser, established him immediately in the top flight of British theatre, where he continues to rank along with Pinter, Stoppard, Nichols, Frayn, Simon Gray and others. Several of them write screenplays as a successful second career, but Harwood put the lid on it by winning a well-deserved Oscar for the script of The Pianist, directed by Roman Polanski. Harwood's stage play The Dividing Line, about the moral dilemma of the great conductor Wilhelm Furtwangler under the Nazis, had already established the playwright's credentials as an analyst of recent European history at its most blood-curdling, but The Pianist went where not even he had yet gone, into the pit of unpalliated horror. With more on similar subjects yet to come, Harwood is way out in front in his role as that rarest type of writer, the cool spellbinder with hot ashes for a subject. How did he get like that?

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  • Home
    • Archive
  • Author
    • Profiles >
      • The Texture of Reality
  • Books
    • The Fire Of Joy
    • Unreliable Memoirs
    • Falling Towards England
    • May Week Was In June
    • North Face of Soho
    • The Blaze of Obscurity
    • Latest Readings
    • Cultural Amnesia
    • Play All
    • A Point Of View
    • Flying Visits
  • Essays
    • Visions Before Midnight
    • The Crystal Bucket
    • Glued To The Box
    • The Metropolitan Critic
    • At the Pillars of Hercules
    • As of This Writing
    • The Meaning of Recognition >
      • Introduction
      • Polanski and the Pianist
      • Fantasy in the West Wing
      • Pushkin's Deadly Gift
      • Great Sopranos of Our Time
      • A Memory Called Malouf
      • Bing Crosby's Hidden Art
      • Larkin Treads the Boards
      • The Iron Capital of Bruno Schulz
      • Criticism a la Frank Kermode
      • Fast Talking Dames
      • Rough Guides to Shakespeare
      • General Election Sequence 2001
      • Primo Levi and the Painted Veil
      • A Big Boutique of Australian Essays
      • Cyrano on the Scaffold
      • A Nightclub in Bali
      • Aldous Huxley Then and Now
      • A Man Called Peter Porter
      • Philip Roth's Alternative America
      • The Miraculous Vineyard of Australian Poetry
      • Save Us From Celebrity
    • The Revolt of the Pendulum >
      • The Question of Karl Kraus
      • John Bayley's Daily Bread
      • Kingsley and the Women
      • Canetti Man of Mystery
      • Camille Paglia Burns for Poetry
      • The Guidebook Detectives
      • Zuckerman Uncorked
      • The Flight from the Destroyer
      • Saying Famous Things
      • Insult to the Language
      • The Perfectly Bad Sentence
      • Happiness Writes White
      • All Stalkers Kill
      • Best Eaten Cold
      • White Shorts of Leni Reifenstahl
      • Made in Britain, More or Less
      • Movie Criticism in America
      • Show Me the Horror
      • The Measure of A.D. Hope
      • Robert Hughes Remembers
      • Modern Australian Painting
      • On Diamond Jim McClelland
      • The Voice of John Anderson
      • Niki Lauda Wins Going Slowly
      • Damon Hill's Bravest Day
      • Jonathan James-Moore
      • Ian Adam
      • Pat Kavanagh
      • Starting with Sludge
    • Guest Writers >
      • Zoe Williams
      • Russell Davies
      • Bryan Appleyard
      • Marina Hyde
      • Bruce Beresford
      • Michael Frayn
  • Poetry
    • Poetry Collections >
      • Injury Time
      • Sentenced to Life >
        • Japanese Maple
        • Sentenced to Life
        • Procedure for Disposal
        • Leçons des ténèbres
        • Driftwood Houses
        • Event Horizon
        • Neuland
        • Echo Point
        • Change of Domicile
        • Holding Court
        • Too Much Light
        • Nature Programme
        • My Latest Fever
        • Nina Kogan's Geometrical Heaven
        • The Emperor's Last Words
        • Winter Plums
      • Nefertiti in the Flak Tower >
        • Whitman and the Moth
        • The Falcon Growing Old
      • Angels over Elsinore
      • The Book of My Enemy >
        • Recent Verse
        • Verse Letters
      • Opal Sunset
      • Other Passports >
        • Recent Verse >
          • The Book of My Enemy has been Remaindered
        • Parodies etc.
        • Earlier Verse
        • Verse Diaries
      • Fan Mail >
        • To Russell Davies: a letter from Cardiff
        • To Martin Amis: a letter from Indianapolis
        • To Pete Atkin: a letter from Paris
        • To Prue Shaw: a letter from Cambridge
        • To Tom Stoppard: a letter from London
        • To Peter Porter: a letter to Sydney
    • Epic Poems >
      • The River in the Sky
      • Gate of Lilacs
      • The Divine Comedy >
        • Hell - Cantos 1-3
        • Purgatory - Cantos 1-3
        • Heaven - Cantos 1-3
      • Poem of the Year
    • Books About Poetry >
      • Somewhere Becoming Rain
      • Poetry Notebook >
        • Listening for the Flavour
        • Five Favourite Poetry Books
        • Velvet Shackles
        • Meeting MacNiece
        • The Donaghy Negotiation
    • Poetry Readings
    • Articles on Poetry
    • Back from The Web
    • Guest Poets >
      • Daniel Brown
      • Liane Strauss
      • Les Murray
      • Peter Porter
      • Alan Jenkins
      • Stephen Edgar
      • John Stammers
      • Simon Barraclough
      • Isobel Dixon
      • Christian Wiman
      • Olivia Cole
      • Judith Beveridge
      • Peter Goldsworthy
      • Kapka Kassabova
  • Lyrics
    • My life in lyrics
    • Selected Song Lyrics >
      • Dancing Master
      • Faded Mansion
      • Have You got a Biro I can Borrow?
      • I Have to Learn to Live Alone Again
      • Hill of Little Shoes
      • History & Geography
      • I See the Joker
      • Laughing Boy
      • My Brother's Keeper
      • National Steel
      • Nothing Left to Say
      • Sessionman's Blues
      • Song for Rita
      • Stranger in Town
      • Sunlight Gate
      • The Egoist
      • The Eye of the Universe
      • The Ice Cream Man
      • Femme Fatale
      • The Master of the Revels
      • Thirty-year Man
      • Winter Spring
  • Video
    • Talking in the Library >
      • Series One
      • Series Two
      • Series Three
      • Series Four
      • Series Five
    • Postcards
    • CJ on YouTube
  • Radio
    • A Point Of View
    • Book Talk