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Home>>Poetry>>Poetry Collections>>Nefertiti in the Flak Tower>>Habitués

Habitués

Picture
​Some older people like the ship so much
They pay again and go wherever it goes –
Which means that for a large part of the year
They just steam back and forth across the Atlantic –
Until they die, while other older people
Are there for one performance after another
Of The Sound of Music. They know every word.
“How” they smile wryly as they sing along,
“Do you solve a problem like Maria?” If
They conk out before the interval, are they
Removed? Surely the mark of the habitués
Is that they’re dead already. When I noticed
That my club was full of men who had become
Stuffed armchairs and oak tables for school food
I resigned to save my skin. They liked the place
Too much. They thought the ship’s Entertainment
Officer was entertaining. They were dewy-eyed
Instead of loud with scorn when Liesl’s suitor
Expressed in terms of chaste and tender love
His youthful urge to get into her pants.
Dull death, the minimum of information –
Where entropy, to steal a phrase from S.J.
Perelman, fills every nook of Granny –
Will come when it will come, but while we’re waiting
Beware the lapse into familiar comfort,
All outlines softened. In that cloud lies proof
Your life was lost on you, though I suppose
It isn’t only easier but better
To echo an ecstatic singing nun –
Transfigured like Bernini’s St Teresa
At the mere prospect of an edelweiss –
Than to puzzle out the dialogue of, say,
Act I, Scene IV of Cymbeline, which no-one
Has remotely, since the day that it was written,
Enjoyed or even partly understood.
And are there no more thrills? In the fjord
The wrinklies crowd the rail to hear their voices
Come back from walls of ice. Couples hold hands.
So quick to guess their last heat is long gone,
How sure are we the failing is not ours,
Our cold contempt a portent of the void
Which is the closed heart and begins within us?
It doesn’t always take time to go nowhere.
 
 -- Standpoint, September 2010

Poems

Nefertiti in the Flak Tower
Oval Room, Wallace Collection
Against Gregariousness
Fashion Statement
Whitman and the Moth
Monja Blanca
​Book Review
Beachmaster
Peter Porter Dances to Piazzolla
Silent Sky
Signing Ceremony
Numismatics

Vertical Envelopment
Nimrod
Castle in the Air
Culture Clash
Language Lessons
Pennies for the Shark
​The Buzz
And Then They Dream of Love
Andantino
Spectre of the Rose
Stage Door Rocket Science
A Spray of Jasmine
A Bracelet for Geoffrey Hill
​
The Later Yeats
A Perfect Market
Australia Felix
Continental Silentia
On a Thin Gold Chain
The Falcon Growing Old
Habitués
Same River Twice
Plate Tectonics
Message from the Moon
Special Needs


Reviews of Nefertiti in the Flak Tower

Stephen Romer
Robert Conquest
PBS Transcript
Open Letters Monthly
Copyright © 2019
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  • Home
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    • Cultural Amnesia
    • Play All
    • A Point Of View
    • Flying Visits
  • Essays
    • Visions Before Midnight
    • The Crystal Bucket
    • Glued To The Box
    • The Metropolitan Critic
    • At the Pillars of Hercules
    • As of This Writing
    • The Meaning of Recognition >
      • Introduction
      • Polanski and the Pianist
      • Fantasy in the West Wing
      • Pushkin's Deadly Gift
      • Great Sopranos of Our Time
      • A Memory Called Malouf
      • Bing Crosby's Hidden Art
      • Larkin Treads the Boards
      • The Iron Capital of Bruno Schulz
      • Criticism a la Frank Kermode
      • Fast Talking Dames
      • Rough Guides to Shakespeare
      • General Election Sequence 2001
      • Primo Levi and the Painted Veil
      • A Big Boutique of Australian Essays
      • Cyrano on the Scaffold
      • A Nightclub in Bali
      • Aldous Huxley Then and Now
      • A Man Called Peter Porter
      • Philip Roth's Alternative America
      • The Miraculous Vineyard of Australian Poetry
      • Save Us From Celebrity
    • The Revolt of the Pendulum >
      • The Question of Karl Kraus
      • John Bayley's Daily Bread
      • Kingsley and the Women
      • Canetti Man of Mystery
      • Camille Paglia Burns for Poetry
      • The Guidebook Detectives
      • Zuckerman Uncorked
      • The Flight from the Destroyer
      • Saying Famous Things
      • Insult to the Language
      • The Perfectly Bad Sentence
      • Happiness Writes White
      • All Stalkers Kill
      • Best Eaten Cold
      • White Shorts of Leni Reifenstahl
      • Made in Britain, More or Less
      • Movie Criticism in America
      • Show Me the Horror
      • The Measure of A.D. Hope
      • Robert Hughes Remembers
      • Modern Australian Painting
      • On Diamond Jim McClelland
      • The Voice of John Anderson
      • Niki Lauda Wins Going Slowly
      • Damon Hill's Bravest Day
      • Jonathan James-Moore
      • Ian Adam
      • Pat Kavanagh
      • Starting with Sludge
    • Guest Writers >
      • Zoe Williams
      • Russell Davies
      • Bryan Appleyard
      • Marina Hyde
      • Bruce Beresford
      • Michael Frayn
  • Poetry
    • Poetry Collections >
      • Injury Time
      • Sentenced to Life >
        • Japanese Maple
        • Sentenced to Life
        • Procedure for Disposal
        • Leçons des ténèbres
        • Driftwood Houses
        • Event Horizon
        • Neuland
        • Echo Point
        • Change of Domicile
        • Holding Court
        • Too Much Light
        • Nature Programme
        • My Latest Fever
        • Nina Kogan's Geometrical Heaven
        • The Emperor's Last Words
        • Winter Plums
      • Nefertiti in the Flak Tower >
        • Whitman and the Moth
        • The Falcon Growing Old
      • Angels over Elsinore
      • The Book of My Enemy >
        • Recent Verse
        • Verse Letters
      • Opal Sunset
      • Other Passports >
        • Recent Verse >
          • The Book of My Enemy has been Remaindered
        • Parodies etc.
        • Earlier Verse
        • Verse Diaries
      • Fan Mail >
        • To Russell Davies: a letter from Cardiff
        • To Martin Amis: a letter from Indianapolis
        • To Pete Atkin: a letter from Paris
        • To Prue Shaw: a letter from Cambridge
        • To Tom Stoppard: a letter from London
        • To Peter Porter: a letter to Sydney
    • Epic Poems >
      • The River in the Sky
      • Gate of Lilacs
      • The Divine Comedy >
        • Hell - Cantos 1-3
        • Purgatory - Cantos 1-3
        • Heaven - Cantos 1-3
      • Poem of the Year
    • Books About Poetry >
      • Somewhere Becoming Rain
      • Poetry Notebook >
        • Listening for the Flavour
        • Five Favourite Poetry Books
        • Velvet Shackles
        • Meeting MacNiece
        • The Donaghy Negotiation
    • Poetry Readings
    • Articles on Poetry
    • Back from The Web
    • Guest Poets >
      • Daniel Brown
      • Liane Strauss
      • Les Murray
      • Peter Porter
      • Alan Jenkins
      • Stephen Edgar
      • John Stammers
      • Simon Barraclough
      • Isobel Dixon
      • Christian Wiman
      • Olivia Cole
      • Judith Beveridge
      • Peter Goldsworthy
      • Kapka Kassabova
  • Lyrics
    • My life in lyrics
    • Selected Song Lyrics >
      • Dancing Master
      • Faded Mansion
      • Have You got a Biro I can Borrow?
      • I Have to Learn to Live Alone Again
      • Hill of Little Shoes
      • History & Geography
      • I See the Joker
      • Laughing Boy
      • My Brother's Keeper
      • National Steel
      • Nothing Left to Say
      • Sessionman's Blues
      • Song for Rita
      • Stranger in Town
      • Sunlight Gate
      • The Egoist
      • The Eye of the Universe
      • The Ice Cream Man
      • Femme Fatale
      • The Master of the Revels
      • Thirty-year Man
      • Winter Spring
  • Video
    • Talking in the Library >
      • Series One
      • Series Two
      • Series Three
      • Series Four
      • Series Five
    • Postcards
    • CJ on YouTube
  • Radio
    • A Point Of View
    • Book Talk