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Home>>Poetry>>Poetry Collections>>Nefertiti in the Flak Tower>>Peter Porter Dances to Piazzolla

Peter Porter Dances to Piazzolla

Picture
​First subject, The Bank Dick.
In the New Old Lompoc House
Fields crosses the lobby twice with the inspector.
It means the inspector fell out of the upstairs window.
In a silent film, a title would have said so:
A sound film can say it without words.
 
There can be word-play even in the desecration
Of an enemy’s severed head.
Fulvia shoved a pin through Cicero’s tongue.
What she meant was: “Where are your gibes now?”
It would have sounded better than that in Latin,
But the gesture was better still.
 
Harry Lime’s face shifts into the light
Like the Christ of Michelangelo
Floating upward from the tomb.
Resurrection, apparition, revelation
Are among the words not used:
Nor are they by Verrocchio’s St Thomas.
 
Garbo’s Camille has drawled “Armand Duval,
Where are my marrons glacés?”
While still we’re stunned at what she didn’t say
When she turned to look at him:
She fluttered, speaking only to the eyes.
Her Queen Christina came from Samothrace.
 
At the luncheon on the grass
The naked woman says without a word
What must be burning in those cool men’s minds,
Though the one in the white trousers might be thinking
“Sweet kid, but these green stains are going to need  
Detergents that do not yet exist.”
 
In the same way that Fields locked off the viewpoint,
The camera stays on the car
While Basil Fawlty goes to get the branch
He will beat it to death with.
No words, not even pictures of a word:
Wittgenstein, move over.
 
He did, the day he generously conceded,
When faced with Sraffa’s Neapolitan gesture,
That its tacit content blew holes in the premise
Of the Tractatus Logico-Philosophicus.
A whole position had gone phut
Like the Great Dictator’s globe.
 
Speaking of which, A Bullet in the Ballet
Is a great title, but you have to see it,
Because there is a letter you don’t say.
See it, and you’ve got it to a “t”.
Tell you what, let’s just quit fooling around
And screw each other instead,
 
As Antony said to Cleopatra
At their last bal masqué in Alexandria.
Were the lyre, the lute, the sistra and kithara
Ever as gorgeous as what we’ve both just heard?
Sorry I couldn’t do that last bit better,
But thank you, it was lovely and so are you.
 
--Poetry Review, Spring 2009

Poems

Nefertiti in the Flak Tower
Oval Room, Wallace Collection
Against Gregariousness
Fashion Statement
Whitman and the Moth
Monja Blanca
​Book Review
Beachmaster
Peter Porter Dances to Piazzolla
Silent Sky
Signing Ceremony
Numismatics

Vertical Envelopment
Nimrod
Castle in the Air
Culture Clash
Language Lessons
Pennies for the Shark
​The Buzz
And Then They Dream of Love
Andantino
Spectre of the Rose
Stage Door Rocket Science
A Spray of Jasmine
A Bracelet for Geoffrey Hill
​
The Later Yeats
A Perfect Market
Australia Felix
Continental Silentia
On a Thin Gold Chain
The Falcon Growing Old
Habitués
Same River Twice
Plate Tectonics
Message from the Moon
Special Needs


Reviews of Nefertiti in the Flak Tower

Stephen Romer
Robert Conquest
PBS Transcript
Open Letters Monthly
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  • Home
    • Archive
  • Author
    • Profiles >
      • The Texture of Reality
  • Books
    • The Fire Of Joy
    • Unreliable Memoirs
    • Falling Towards England
    • May Week Was In June
    • North Face of Soho
    • The Blaze of Obscurity
    • Latest Readings
    • Cultural Amnesia
    • Play All
    • A Point Of View
    • Flying Visits
  • Essays
    • Visions Before Midnight
    • The Crystal Bucket
    • Glued To The Box
    • The Metropolitan Critic
    • At the Pillars of Hercules
    • As of This Writing
    • The Meaning of Recognition >
      • Introduction
      • Polanski and the Pianist
      • Fantasy in the West Wing
      • Pushkin's Deadly Gift
      • Great Sopranos of Our Time
      • A Memory Called Malouf
      • Bing Crosby's Hidden Art
      • Larkin Treads the Boards
      • The Iron Capital of Bruno Schulz
      • Criticism a la Frank Kermode
      • Fast Talking Dames
      • Rough Guides to Shakespeare
      • General Election Sequence 2001
      • Primo Levi and the Painted Veil
      • A Big Boutique of Australian Essays
      • Cyrano on the Scaffold
      • A Nightclub in Bali
      • Aldous Huxley Then and Now
      • A Man Called Peter Porter
      • Philip Roth's Alternative America
      • The Miraculous Vineyard of Australian Poetry
      • Save Us From Celebrity
    • The Revolt of the Pendulum >
      • The Question of Karl Kraus
      • John Bayley's Daily Bread
      • Kingsley and the Women
      • Canetti Man of Mystery
      • Camille Paglia Burns for Poetry
      • The Guidebook Detectives
      • Zuckerman Uncorked
      • The Flight from the Destroyer
      • Saying Famous Things
      • Insult to the Language
      • The Perfectly Bad Sentence
      • Happiness Writes White
      • All Stalkers Kill
      • Best Eaten Cold
      • White Shorts of Leni Reifenstahl
      • Made in Britain, More or Less
      • Movie Criticism in America
      • Show Me the Horror
      • The Measure of A.D. Hope
      • Robert Hughes Remembers
      • Modern Australian Painting
      • On Diamond Jim McClelland
      • The Voice of John Anderson
      • Niki Lauda Wins Going Slowly
      • Damon Hill's Bravest Day
      • Jonathan James-Moore
      • Ian Adam
      • Pat Kavanagh
      • Starting with Sludge
    • Guest Writers >
      • Zoe Williams
      • Russell Davies
      • Bryan Appleyard
      • Marina Hyde
      • Bruce Beresford
      • Michael Frayn
  • Poetry
    • Poetry Collections >
      • Injury Time
      • Sentenced to Life >
        • Japanese Maple
        • Sentenced to Life
        • Procedure for Disposal
        • Leçons des ténèbres
        • Driftwood Houses
        • Event Horizon
        • Neuland
        • Echo Point
        • Change of Domicile
        • Holding Court
        • Too Much Light
        • Nature Programme
        • My Latest Fever
        • Nina Kogan's Geometrical Heaven
        • The Emperor's Last Words
        • Winter Plums
      • Nefertiti in the Flak Tower >
        • Whitman and the Moth
        • The Falcon Growing Old
      • Angels over Elsinore
      • The Book of My Enemy >
        • Recent Verse
        • Verse Letters
      • Opal Sunset
      • Other Passports >
        • Recent Verse >
          • The Book of My Enemy has been Remaindered
        • Parodies etc.
        • Earlier Verse
        • Verse Diaries
      • Fan Mail >
        • To Russell Davies: a letter from Cardiff
        • To Martin Amis: a letter from Indianapolis
        • To Pete Atkin: a letter from Paris
        • To Prue Shaw: a letter from Cambridge
        • To Tom Stoppard: a letter from London
        • To Peter Porter: a letter to Sydney
    • Epic Poems >
      • The River in the Sky
      • Gate of Lilacs
      • The Divine Comedy >
        • Hell - Cantos 1-3
        • Purgatory - Cantos 1-3
        • Heaven - Cantos 1-3
      • Poem of the Year
    • Books About Poetry >
      • Somewhere Becoming Rain
      • Poetry Notebook >
        • Listening for the Flavour
        • Five Favourite Poetry Books
        • Velvet Shackles
        • Meeting MacNiece
        • The Donaghy Negotiation
    • Poetry Readings
    • Articles on Poetry
    • Back from The Web
    • Guest Poets >
      • Daniel Brown
      • Liane Strauss
      • Les Murray
      • Peter Porter
      • Alan Jenkins
      • Stephen Edgar
      • John Stammers
      • Simon Barraclough
      • Isobel Dixon
      • Christian Wiman
      • Olivia Cole
      • Judith Beveridge
      • Peter Goldsworthy
      • Kapka Kassabova
  • Lyrics
    • My life in lyrics
    • Selected Song Lyrics >
      • Dancing Master
      • Faded Mansion
      • Have You got a Biro I can Borrow?
      • I Have to Learn to Live Alone Again
      • Hill of Little Shoes
      • History & Geography
      • I See the Joker
      • Laughing Boy
      • My Brother's Keeper
      • National Steel
      • Nothing Left to Say
      • Sessionman's Blues
      • Song for Rita
      • Stranger in Town
      • Sunlight Gate
      • The Egoist
      • The Eye of the Universe
      • The Ice Cream Man
      • Femme Fatale
      • The Master of the Revels
      • Thirty-year Man
      • Winter Spring
  • Video
    • Talking in the Library >
      • Series One
      • Series Two
      • Series Three
      • Series Four
      • Series Five
    • Postcards
    • CJ on YouTube
  • Radio
    • A Point Of View
    • Book Talk